Volume: Birmingham’s Art, Book & Print Fair

I just grabbed this straight from the Writing West Midlands newsletter. It looks like a great opportunity for independent book publishers. I know there are a lot of great books out there produced with love and care by independent publishers, but I’m sure I’ve only seen the tip of the iceberg. I think it would be great to see as many of them as possible, all under one roof, in the stunning new Birmingham Central Library.

If you are an independent publisher, or know one, get them to check this out, I’d love to see them there.

Opportunity for Publishers to exhibit at first Library of Birmingham Art, Book & Print Fair in December 2013
Stalls available at the first Volume fair: Birmingham’s Art, Book & Print Fair at the Library of Birmingham. 
December 5 – 7, 2013.
Writing West Midlands is helping to curate this wonderful weekend of panels, workshops and stalls focusing around publishing, printmaking and art and all points in between. This will be an event of international profile and ambition, including speakers, panel discussions, workshops and a fair, selling books, prints and artwork from an international selection of independent publishers, printworks, artists and organisations. The event aims to showcase and celebrate the very best in independent publishing, artist books and zines, whilst also interrogating issues central to publishing culture.
Stalls cost £60 for two days (Friday & Saturday) and are located in the stunning new Studio Theatre space within the Library of Birmingham. If you are interested in taking up a stall at the fair, email admin@capsule.org.uk.
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Outsider Writers

Working with young people outside of the classroom.

Final call for submissions for the summer edition of the NAWE magazine. We’ve already had some great articles in and some excellent proposals so make sure you get them in before the deadline, full details below.

Submissions needed from Outsider Writers

NAWE (National Association of Writers in Education) are looking for articles on working with young people outside of the classroom for their next magazine. I will be co-editing the newsletter, so have a look through the guidelines below and get in touch.

It can seem that creativity is a dirty word these days, unless it involves accounting, and that the ability to memorise facts has overtaken the need to be innovative and inventive, but we know better than that. We know that NAWE members are out there, delivering challenging and inspired activities behind enemy lines, as it were, right under the noses of the wrote learners and table memorisers. We want to hear from you inspired foot soldiers. We want to hear about your successes, your failures; about activities you’ve tried, after school clubs you’ve lead; workshops in the community; online development; activities in school that are outside the curriculum; in fact, anything that gives young people an insight into the incredible, diverse world that is writing outside of the curriculum. We want articles, top tips, case studies, interviews, writing activities, advice and so on and they can be as inventive as you want. So feel free to submit a photo essay, comic strip, flow chart, haiku or any of the more traditional journalistic forms. Contact us with article proposals now!

Deadline update

Submissions need to be with us by the 30th of April 2013.

This magazine will be edited by Garrie Fletcher and Elisabeth Charis both are teachers and writers that work with young people outside of school.

Article submissions should be sent to editorial@nawe.co.uk as soon as possible. For any more information please contact Elisabeth or Garrie via the NAWE email above.

The NAWE website can be found NAWE

If you run a group but are daunted by the prospect of writing an article please get in touch with us, we may be able to help or even suggest a different format that enables you to share successful ways of working.

Calling all writers…..

There’s still time to submit for the next NAWE magazine so get typing. Details of how to submit are below.

20121214-161656.jpgSubmissions needed from Outsider Writers

NAWE (National Association of Writers in Education) are looking for articles on working with young people outside of the classroom for their next magazine. I will be co-editing the newsletter, so have a look through the guidelines below and get in touch.

It can seem that creativity is a dirty word these days, unless it involves accounting, and that the ability to memorise facts has overtaken the need to be innovative and inventive, but we know better than that. We know that NAWE members are out there, delivering challenging and inspired activities behind enemy lines, as it were, right under the noses of the wrote learners and table memorisers. We want to hear from you inspired foot soldiers. We want to hear about your successes, your failures; about activities you’ve tried, after school clubs you’ve lead; workshops in the community; online development; activities in school that are outside the curriculum; in fact, anything that gives young people an insight into the incredible, diverse world that is writing outside of the curriculum. We want articles, top tips, case studies, interviews, writing activities, advice and so on and they can be as inventive as you want. So feel free to submit a photo essay, comic strip, flow chart, haiku or any of the more traditional journalistic forms. Contact us with article proposals now!

Deadline update

Submissions need to be with us by the 30th of April 2013.

This magazine will be edited by Garrie Fletcher and Elisabeth Charis both are teachers and writers that work with young people outside of school.

Article submissions should be sent to editorial@nawe.co.uk as soon as possible. For any more information please contact Elisabeth or Garrie via the NAWE email above.

The NAWE website can be found NAWE

If you run a group but are daunted by the prospect of writing an article please get in touch with us, we may be able to help or even suggest a different format that enables you to share successful ways of working.

Submissions needed from Outsider Writers

NAWE (National Association of Writers in Education) are looking for articles on working with young people outside of the classroom for their next newsletter. I will be co-editing the newsletter, so have a look through the guidelines below and get in touch.

It can seem that creativity is a dirty word these days, unless it involves accounting, and that the ability to memorise facts has overtaken the need to be innovative and inventive, but we know better than that. We know that NAWE members are out there, delivering challenging and inspired activities behind enemy lines, as it were, right under the noses of the wrote learners and table memorisers. We want to hear from you inspired foot soldiers. We want to hear about your successes, your failures; about activities you’ve tried, after school clubs you’ve lead; workshops in the community; online development; activities in school that are outside the curriculum; in fact, anything that gives young people an insight into the incredible, diverse world that is writing outside of the curriculum. We want articles, top tips, case studies, interviews, writing activities, advice and so on and they can be as inventive as you want. So feel free to submit a photo essay, comic strip, flow chart, haiku or any of the more traditional journalistic forms. Contact us with article proposals now!

This newsletter will be edited by Garrie Fletcher and Elisabeth Charis both are teachers and writers that work with young people outside of school.

Article submissions should be sent to editorial@nawe.co.uk as soon as possible. For anymore information please contact Elisabeth or Garrie via the NAWE email above.

The NAWE website can be found NAWE

The Next Big Thing

Next Big Thing

The following ten questions (and my stab at answering them) form part of The Next Big Thing. If you don’t know what this is, it’s simply an opportunity to tell the world about your current writing project. And when you’ve finished answering the ten questions below you get to tag other people, who do the same.

Its my turn to answer and then tag three other writing friends – so advance apologies to Ryan Davis, Andy Winter and Yasmin Ali.

I was tagged by Richard Lakin. Richard is a tremendous writer with a love of pugilism and rail travel. You can check out Richard’s knock out work Richard Lakin

So, Garrie, what’s your next big thing?

I’m just putting the finishing touches to a short story I’m sending to the BBC’s Writers Room as part of their Opening Lines competition, it has to be in by Friday so I really shouldn’t be doing this now. Prior to that I sent a short story off to Cinnamon Press and another to the Stroke Association for their celebratory publication around the theme of 20 as they’ve been around for, yes, you guessed it, twenty years. I just had two poems published in the Offa’s Press anthology, ‘We’re All In This Together’ and I’ve another in the Earth Love anthology this Spring. Twisted between all this are bursts of keyboard activity as I try to finish my novel.

20121214-161656.jpg

1) What is the working title of your book?

The book has had a number of titles since I started it including, Here Come the Lobsters, (the very title of this blog) Spoon Squad and currently Going Underground. Going Underground was a reference to the classic Jam song but also a reference to a series of tunnels that had a prime position in the narrative. I’ve since filled in the tunnels so the title could change again.

2) Where did the idea come from for the book?

It came from me head! Like, straight out from between me ears and onto the page. Ugh, that sounds messy which is apt as it came from what can be a messy profession. In the early 90’s I was working in a care home in Northampton, my home town. It was a real eye opener. Not just because of the people that lived there, who were challenging, frightening and wonderful but also because of the people who worked with them. I worked in a number of places during the 90’s in Northampton and Birmingham but it was the thought of setting something in my home town that dealt with these people that live on the edges of society that really excited me.

3) What genre does your book fall under?

I’m not sure. Its dark with light touches of humour and very urban. Literary fiction sounds a bit pompous to me. It’s just a cracking tale of unrequited love, with psychotic Polish gangsters and large doses of piss stained laundry thrown in for good measure. I find genres quite hard to pin down sometimes and not altogether useful. I’ve just finished Kevin Barry’s City of Bohane, which is set in the near future in a fictional west coast Irish city. Now you might class it as science fiction but your average sci-fi enthusiast wouldn’t be best pleased if they took it home (no spaceships or gadgetry,) or you could call it speculative fiction, but it could just as easily be called historical fiction (this makes sense if you’ve read it.) I think I’d best get it finished first before I start worrying about genres.

4) Which actors would you choose to play your characters in a movie rendition?

There are three main characters: Miles who’s in his early twenties and struggling with being unemployable as a photographer despite four years of studying; Sophia, a gorgeous Polish volunteer trying to lay her grandfather’s ghost to rest and Vince a twisted mass of muscle and hatred trying to kill his past. Miles would be played by Robert Sheehan of Misfits and Red Riding fame as he has emotional depth, gobbyness and isn’t too pretty. I’d have Jelka van Houten play Sophia, she’s possibly not young enough but I thought she was marvellous in Channel 4’s Fresh Meat. You’d need a very physical actor to play Vince, someone with a brutal physique ( or the ability to bulk up ) and commanding voice, with that in mind I’d go for Tom Hardy from this summer’s The Dark Knight Rises, you’d never think he was the same guy who started out in Band of Brothers.

5) What is the one-sentence synopsis of your book?

High Fidelity meets Shallow Grave. No, that’s the elevator pitch. Let’s see. Spencer House is home to the broken souls that slip through the cracks; the troubled, the violent, but they shouldn’t worry you; the people who work there should.

6) Will your book be self-published or represented by an agency?

I want to go down the traditional route with this. I want it to be good enough for someone to put their own backing behind it. That said I’ve seen some really good self published books out there so I wouldn’t discount it out of hand.

7) How long did it take you to write the first draft of your manuscript?

Too long.

8) What other books would you compare this story to within your genre?

Tough question. When I started writing it I was heavily influenced by David Peace’s Red Riding books but I’ve moved away from that and found a voice of my own. I’d like it to be comparable with a good Kevin Barry short story, but obviously longer, or Irvine Welsh with less drugs and Scottish accents.

9) Who or What inspired you to write this book?

When I worked in care I found that despite the residents, or service users as we now call them, unique range of disabilities, syndromes and behaviours that the people who worked with them were often more interesting and harder to understand. One person in particular stayed with me years after I’d left and I wondered what it was that lead him to work with such vulnerable people. So I took him as a starting point and then mutated it into a twisted story of unrequited love and Polish gangsters.

10) What else about your book might pique the reader’s interest?

Ah but surely the promise of urine drenched bed sheets is enough? My book will offer an insight into the world of private care. The less than honourable dealings of some of the people that run these homes and the transient characters that work there. Its filled with romance, angst, brutal violence, a quest for the truth and a butt clenching climax. Nuff said.

It’s tag time:

I’m tagging three fellow writers: Ryan Davis, Andy Winter and Yasmin Ali. Three very different writers and very busy people, so I hope they don’t mind. Cheers in advance guys.

The Next Big Thing

Next Big Thing

The following ten questions (and my stab at answering them) form part of The Next Big Thing. If you don’t know what this is, it’s simply an opportunity to tell the world about your current writing project. And when you’ve finished answering the ten questions below you get to tag other people, who do the same.

Its my turn to answer and then tag three other writing friends – so advance apologies to Ryan Davis, Andy Winter and Yasmin Ali.

I was tagged by Richard Lakin. Richard is a tremendous writer with a love of pugilism and rail travel. You can check out Richard’s knock out work Richard Lakin

So, Garrie, what’s your next big thing?

I’m just putting the finishing touches to a short story I’m sending to the BBC’s Writers Room as part of their Opening Lines competition, it has to be in by Friday so I really shouldn’t be doing this now. Prior to that I sent a short story off to Cinnamon Press and another to the Stroke Association for their celebratory publication around the theme of 20 as they’ve been around for, yes, you guessed it, twenty years. I just had two poems published in the Offa’s Press anthology, ‘We’re All In This Together’ and I’ve another in the Earth Love anthology this Spring. Twisted between all this are bursts of keyboard activity as I try to finish my novel.

20121214-161656.jpg

1) What is the working title of your book?

The book has had a number of titles since I started it including, Here Come the Lobsters, (the very title of this blog) Spoon Squad and currently Going Underground. Going Underground was a reference to the classic Jam song but also a reference to a series of tunnels that had a prime position in the narrative. I’ve since filled in the tunnels so the title could change again.

2) Where did the idea come from for the book?

It came from me head! Like, straight out from between me ears and onto the page. Ugh, that sounds messy which is apt as it came from what can be a messy profession. In the early 90’s I was working in a care home in Northampton, my home town. It was a real eye opener. Not just because of the people that lived there, who were challenging, frightening and wonderful but also because of the people who worked with them. I worked in a number of places during the 90’s in Northampton and Birmingham but it was the thought of setting something in my home town that dealt with these people that live on the edges of society that really excited me.

3) What genre does your book fall under?

I’m not sure. Its dark with light touches of humour and very urban. Literary fiction sounds a bit pompous to me. It’s just a cracking tale of unrequited love, with psychotic Polish gangsters and large doses of piss stained laundry thrown in for good measure. I find genres quite hard to pin down sometimes and not altogether useful. I’ve just finished Kevin Barry’s City of Bohane, which is set in the near future in a fictional west coast Irish city. Now you might class it as science fiction but your average sci-fi enthusiast wouldn’t be best pleased if they took it home (no spaceships or gadgetry,) or you could call it speculative fiction, but it could just as easily be called historical fiction (this makes sense if you’ve read it.) I think I’d best get it finished first before I start worrying about genres.

4) Which actors would you choose to play your characters in a movie rendition?

There are three main characters: Miles who’s in his early twenties and struggling with being unemployable as a photographer despite four years of studying; Sophia, a gorgeous Polish volunteer trying to lay her grandfather’s ghost to rest and Vince a twisted mass of muscle and hatred trying to kill his past. Miles would be played by Robert Sheehan of Misfits and Red Riding fame as he has emotional depth, gobbyness and isn’t too pretty. I’d have Jelka van Houten play Sophia, she’s possibly not young enough but I thought she was marvellous in Channel 4’s Fresh Meat. You’d need a very physical actor to play Vince, someone with a brutal physique ( or the ability to bulk up ) and commanding voice, with that in mind I’d go for Tom Hardy from this summer’s The Dark Knight Rises, you’d never think he was the same guy who started out in Band of Brothers.

5) What is the one-sentence synopsis of your book?

High Fidelity meets Shallow Grave. No, that’s the elevator pitch. Let’s see. Spencer House is home to the broken souls that slip through the cracks; the troubled, the violent, but they shouldn’t worry you; the people who work there should.

6) Will your book be self-published or represented by an agency?

I want to go down the traditional route with this. I want it to be good enough for someone to put their own backing behind it. That said I’ve seen some really good self published books out there so I wouldn’t discount it out of hand.

7) How long did it take you to write the first draft of your manuscript?

Too long.

8) What other books would you compare this story to within your genre?

Tough question. When I started writing it I was heavily influenced by David Peace’s Red Riding books but I’ve moved away from that and found a voice of my own. I’d like it to be comparable with a good Kevin Barry short story, but obviously longer, or Irvine Welsh with less drugs and Scottish accents.

9) Who or What inspired you to write this book?

When I worked in care I found that despite the residents, or service users as we now call them, unique range of disabilities, syndromes and behaviours that the people who worked with them were often more interesting and harder to understand. One person in particular stayed with me years after I’d left and I wondered what it was that lead him to work with such vulnerable people. So I took him as a starting point and then mutated it into a twisted story of unrequited love and Polish gangsters.

10) What else about your book might pique the reader’s interest?

Ah but surely the promise of urine drenched bed sheets is enough? My book will offer an insight into the world of private care. The less than honourable dealings of some of the people that run these homes and the transient characters that work there. Its filled with romance, angst, brutal violence, a quest for the truth and a but clenching climax. Nuff said.

It’s tag time:

I’m tagging three fellow writers: Ryan Davis, Andy Winter and Yasmin Ali. Three very different writers and very busy people, so I hope they don’t mind. Cheers in advance guys.

The Next Big Thing

Next Big Thing

The following ten questions (and my stab at answering them) form part of The Next Big Thing. If you don’t know what this is, it’s simply an opportunity to tell the world about your current writing project. And when you’ve finished answering the ten questions below you get to tag other people, who do the same.

Its my turn to answer and then tag three other writing friends – so advance apologies to Ryan Davis, Andy Winter and Yasmin Ali.

I was tagged by Richard Lakin. Richard is a tremendous writer with a love of pugilism and rail travel. You can check out Richard’s knock out work Richard Lakin

So, Garrie, what’s your next big thing?

I’m just putting the finishing touches to a short story I’m sending to the BBC’s Writers Room as part of their Opening Lines competition, it has to be in by Friday so I really shouldn’t be doing this now. Prior to that I sent a short story off to Cinnamon Press and another to the Stroke Association for their celebratory publication around the theme of 20 as they’ve been around for, yes, you guessed it, twenty years. I just had two poems published in the Offa’s Press anthology, ‘We’re All In This Together’ and I’ve another in the Earth Love anthology this Spring. Twisted between all this are bursts of keyboard activity as I try to finish my novel.

20121214-161656.jpg

1) What is the working title of your book?

The book has had a number of titles since I started it including, Here Come the Lobsters, (the very title of this blog) Spoon Squad and currently Going Underground. Going Underground was a reference to the classic Jam song but also a reference to a series of tunnels that had a prime position in the narrative. I’ve since filled in the tunnels so the title could change again.

2) Where did the idea come from for the book?

It came from me head! Like, straight out from between me ears and onto the page. Ugh, that sounds messy which is apt as it came from what can be a messy profession. In the early 90’s I was working in a care home in Northampton, my home town. It was a real eye opener. Not just because of the people that lived there, who were challenging, frightening and wonderful but also because of the people who worked with them. I worked in a number of places during the 90’s in Northampton and Birmingham but it was the thought of setting something in my home town that dealt with these people that live on the edges of society that really excited me.

3) What genre does your book fall under?

I’m not sure. Its dark with light touches of humour and very urban. Literary fiction sounds a bit pompous to me. It’s just a cracking tale of unrequited love, with psychotic Polish gangsters and large doses of piss stained laundry thrown in for good measure. I find genres quite hard to pin down sometimes and not altogether useful. I’ve just finished Kevin Barry’s City of Bohane, which is set in the near future in a fictional west coast Irish city. Now you might class it as science fiction but your average sci-fi enthusiast wouldn’t be best pleased if they took it home (no spaceships or gadgetry,) or you could call it speculative fiction, but it could just as easily be called historical fiction (this makes sense if you’ve read it.) I think I’d best get it finished first before I start worrying about genres.

4) Which actors would you choose to play your characters in a movie rendition?

There are three main characters: Miles who’s in his early twenties and struggling with being unemployable as a photographer despite four years of studying; Sophia, a gorgeous Polish volunteer trying to lay her grandfather’s ghost to rest and Vince a twisted mass of muscle and hatred trying to kill his past. Miles would be played by Robert Sheehan of Misfits and Red Ridingfame as he has emotional depth, gobbyness and isn’t too pretty. I’d have Jelka van Houten play Sophia, she’s possible not young enough but I thought she was marvellous in Channel 4’s Fresh Meat. You’d need a very physical actor to play Vince, someone with a brutal physique ( or the ability to bulk up ) and commanding voice, with that in mind I’d go for Tom Hardy from this summer’s The Dark Knight Rises, you’d never think he was the same guy who started out in Band of Brothers.

5) What is the one-sentence synopsis of your book?

High Fidelity meets Shallow Grave. No, that’s the elevator pitch. Let’s see. Spencer House is home to the broken souls that slip through the cracks; the troubled, the violent, but they shouldn’t worry you; the people who work there should.

6) Will your book be self-published or represented by an agency?

I want to go down the traditional route with this. I want it to be good enough for someone to put their own backing behind it. That said I’ve seen some really good self published books out there so I wouldn’t discount it out of hand.

7) How long did it take you to write the first draft of your manuscript?

Too long.

8) What other books would you compare this story to within your genre?

Tough question. When I started writing it I was heavily influenced by David Peace’s Red Riding books but I’ve moved away from that and found a voice of my own. I’d like it to be comparable with a good Kevin Barry short story, but obviously longer, or Irvine Welsh with less drugs and Scottish accents.

9) Who or What inspired you to write this book?

When I worked in care I found that despite the residents, or service users as we now call them, unique range of disabilities, syndromes and behaviours that the people who worked with them were often more interesting and harder to understand. One person in particular stayed with me years after I’d left and I wondered what it was that lead him to work with such vulnerable people. So I took him as a starting point and then mutated it into a twisted story of unrequited love and Polish gangsters.

10) What else about your book might pique the reader’s interest?

Ah but surely the promise of urine drenched bed sheets is enough? My book will offer an insight into the world of private care. The less than honourable dealings of some of the people that run these homes and the transient characters that work there. Its filled with romance, angst, brutal violence, a quest for the truth and a but clenching climax. Nuff said.

It’s tag time:

I’m tagging three fellow writers: Ryan Davis, Andy Winter and Yasmin Ali. Three very different writers and very busy people, so I hope they don’t mind. Cheers in advance guys.